Having heard/read so many good
things about the Opera House in Oslo and being interested in
architecture and classical music, a visit was a must. We investigated
further and found out there were also behind the scene tours in English
available. Before we had only heard about being able to walk up/on the
roof of the building. We decided not only to explore the Opera from the
outside, but also from the inside. We bought tickets online and also booked a table for two at the Opera's Sanguine Brasserie. Review to follow for this.
Tickets cost 100 NOK per person (ca. 11.85 Euro or 13.20 USD).
On
our way to the Opera House we passed the Havnelageret, the head
quarters of Dagligsbladet. It's a massive pink concrete building.
We
could see the Opera House from the Havnelageret. It seemed to emerge
from the sea and people walking on it looked like ants from afar.
The structure is made from Italian marble and white granite. The architect was Snøhetta. The Opera House opened in 2008.
The views over the Oslofjord and the city were marvellous.
Walking
up the roof might not be suitable if you have vertigo and I wouldn't
try to climb it, when it's wet or icy. The marble could be slippery.
We
had luck with the sunny weather and beside people watching, found a
model, who enjoyed being photographed. It was a not very shy seagull.
As the architect intended we were curious what the structure looked like from the inside.
The entrance is small compared to the size and height of the building.
There
is a stunning atrium and as we learned later during the tour over 3000
oak pieces were used to clad the walls and also that the huge glass
panelling facing the fjord is the largest in Scandinavia.
The oak
panelling is very important for the sound as is the oval chandellier in
the auditorium. It cotains over 5000 hand made crystals.
The meeting point for all tours was at the ticket office.
Tours in Norwegian are daily available.
Tours in English are on Mondays,
Wednesday, Fridays and Sundays at 13.00 hours.
We were picked up at the requested time by our guide and were a small group of around 10.
Our tour guide Berit, a former opera singer, told us about the background of the building and the artwork in and around it.
There is a wall designed by Olafur Eliasson. It depicts an ice berg and flowing water underneath and changes color.
"She
lies" is a sculpture by Monica Bonvicini. It is designed like a sailing
ship, floats on the fjord and looks different, depending on wind, tide
and how the sun light falls on it. "She lies" is clearly visible from
Sanguine Brasserie too.
We were then advised we would go behind the scenes and from now on photography wasn't allowed.
There are 1100 rooms.
The
main auditorium seats 1364. There are two other performance spaces,
which are much smaller, seating 200 and 400 respectively.
The employees come from 23 different countries.
We
walked through the costume making department, where we could catch a
glimpse of what the ballerinas are going to wear for the production of
Manon, which is going to premier on
19th of September 2015.
Next were the production team, who are responsible for building the sets.
We
ended up behind the main auditorium, where preparations were made for
the premier of La Traviata and the stage sets for the previous
performance were dismantled and put into storage.
Afterwards we
caught glimpses of ballet dancers training and the employees garden.
Originally it should have been a Japanese garden, but the climate didn't
allow for the plants to grow, so it has been slightly altered.
It isn't accessible for the public.
Our last stop was the auditorium, where we arrived just in time for rehearsals of La Traviata, which premiered in April 2015.
We were on the highest balcony. A warning here: It's really steep
and open, so if you have vertigo it could be problematic.
You might prefer to stand at the side.
The
rehearsal was interesting to follow. The director gave constructive
instructions how to make it look more pleasing for the audience. We
could listen in and watch for about twenty minutes. It was the
highlight, because it's very unusual to "let into" the rehearsal
process.
Afterwards we were accomponied back to the foyer.
The
tour was an eye opener. It shows how much work goes into a production
and how labyrinthine the building is. It's very interesting and highly
recommended for opera and architecture lovers.
We will at some stage take another tour for more insights of magnificent structure overlooking Oslofjord.
©2015